With the upcoming photography teaching event and photo walk I will be teaching at Clay Pit Ponds State Park Preserve I decided to shoot a little before going over some of the presentation. I am without my wildlife lenses unfortunately as they are being serviced, so to landscapes it is! The skies were cloudy and a fresh painting of snow had touched the landscape. Before I even took the camera out of the car I knew I was going to shoot for HDR (High Dynamic Range.)

One thing I love about HDR is what it does to the clouds. It adds an incredible amount of drama. If you ever underexpose a shot heavily with stormy skies you will see what I mean. I am working on a tripod 90% of the time when working with HDR. You need to make sure all the images will easily overlay and line up to reduce any artifacts. The one problem too is wind. Zoomed in you can see a few branches that look like they are ghosting due to the wind. I could have not shot the image, but I felt it didn’t suffer because of it. Once I had my tripod I stopped down for a large depth of field and I usually start with no exposure compensation. In typical scenes like these a 5-stop range of light will cover my needs. I go into my cameras bracketing function and set it for a total of 5 images. A normal meter reading, -1 underexposed, -2 underexposed , +1 overexposed, +2 over exposed. Then from those images I will compile them all later in Photo Matrix Pro to get the image I desire. There are a ton of sliders in photomatrix and I push and pull them until the image feels just right. A tip I use to know when I shot a 5-image sequence when reviewing my images from the day is to go back to a single exposure shot and photograph my hand. It’s a signal to me that before that shot is my sequence. I took a total of 8 HDR sequences and trying to keep up amongst all the other photos can be a blur. I got the tip from Matt Kloskowski at DTownTV for shooting panoramas. I would take a lot of images and not knowing where one starts and one begins can drive you nuts!

Notice something in this image that wasn’t in the last? Same location, but there are no foot prints! I actually walked back in my own foot prints to keep this look going. The HDR technique really brought out the detail in the depth of the snow.

I was captivated by this one walkway. It is just across Sharrotts road near the park and I was the first one to step foot there. Well besides the wildlife at least. I ran this through Silver Efex Pro and choose the Dark Sepia filter. No adjustments beyond that. This is the same image as the first one posted.

I wanted to shoot some images that weren’t HDR. Although I enjoy HDR photographs I don’t like to fill a location with them. The advantage is I keep all 5 shots so I could pluck out an exposure I like. These non HDR images however were shot for the sole purpose of not using HDR. I used the Pro Contrast filter in Color eFex pro that made my whites bright and crisped up the edges.

I also ran it in B&W. Although I realize most of these images areĀ  the same location/position there are subtle differences. We all too often walk by a scene as something we have seen before. Something that has been photographed and we have grown tired off. Don’t get me wrong I have done it too. I try and correct myself when I do so however. I try and remember that every moment in time is unique. Why was this last photo (color and B&W version) so unique? Well if you notice the shadows came out. The day being overcast left no shadows. I had MAYBE 15seconds to take this image. I panicked and shot it at f/8. Not the f/16 I had wanted, but we take what we can get.

The reason I was shooting at f/8 was I wanted to be ready for anything. Remember I alluded to wildlife before? Well if something walked in the frame he/she wasn’t going to stand still for an f/16 exposure. I have left my settings in bracketing or stopped down real hard before and payed for it with missed opportunities. So this is the flip side of trying to avoid that. Can’t win them all they say :-)

My goal was to get to Sharrotts Pond. As you can see everything was untouched and just a beautiful sight. I kept the cooler tone that the HDR had created as I felt it told a batter story as to how the temperature felt.

The pond was perfect. Frozen just enough for a fantastic winter landscape. I wanted to bring you along for this one :-)

I wanted to finish out the day with a portrait of the pond. Sometimes an image speaks to you and when it does don’t let it get away! Whether it is HDR or a quick snap the hesitation of holding off that photograph is not worth it. Just Click! (sorry Nike :-p)

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When it comes to HDR I like to look for contrasty or more specifically items with lots of texture. One area that was new to me is the detail HDR can bring out with overcast skies. It brings an immense sense of mood to the table. Dina had a project to do here so I tagged along and tried to see what I could do. We visited the Moravian Cemetery on Staten Island. It is over 250 years old and encompasses over 113 acres of space. You can truly get lost in this place. It contains some amazing history and fantastic subjects. Of course when your there try to be as respectful as possible and not walk or trample on any of the grave sites. We are guests there.

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I really love the detail and how well the HDR technique works with grave stones. All of these photos were taken with my Sigma 10-20mm. I envisioned the type of images in my head before I even set foot on location. Knowing the possibilities in Photomatrix pro 3 and what it can do to even to a single image creating a pseudo HDR image I was set. Like I have mentioned before about HDR; for me texture is key.

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This is an image where too wide might be too much. We tend to approach the world with a wide angle and want to capture all its majesty. This possibility doesn’t occur all too often. With so many elements it is hard to distinguish your focal point. The goal is to simplify and only include items that will complement, not compete with your subject. Here my subject was the priest on the tall stone you may see in front of the bench. The tree trunk to the left for me competes with the scene. What I would do is go back and get closer. With extreme wide angle lenses, the closer is usually better. Let your subject smack you in the face and the surrounding area complement the subject.

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This is an alternative orientation to the one previous to the previous image, :-) . A lot of times it will pay to have different orientations to a scene. All to often we get locked into a horizontal plane. Why not throw it vertical, you might be pleasantly surprised.

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This is an example about bringing your subject closer and using the surrounding elements to complement your subject. The subject is this angel with a broken left wing tip (hard to see the broken tip here.) The trees towering her surround the subject. Emphasizing the cloud cover encircling our angel. You’ll also notice I shot this photograph lower to the ground. Giving a bit more attention toward the ground rather than the sky portion of the image. I didn’t get right on top of these statues and stones however as I was a guest here.

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I really enjoy this one personally. I think its simplicity that gets me and addition to detail training the direction of your eye.

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This last image is a bit of HDR gone out of control. I brought the overall light smoothing down very low if not to its lowest. Kinda plays with your eyes a bit. Throws the background out of focus real hard, but the trunk of this tree remains much more clear to draw your eyes to itself. Definitely a more experimental piece.

One other tool I used in my images was a polarizer. It was a tool that I used to cut down on any shine that might be present from the midday sun and also added a bit of saturation (not its main purpose.) I personally haven’t shot an HDR image with a tripod yet. They sure recommend you using one though. I would have to agree It is for the best when you can. Sometimes the situation just doesn’t allow for it. So the key here is using your in camera bracketing. Set it for a 5-frame bracket or even a 7 or 9-frame bracket. Whatever you feel the dynamic range of the situation is going to call for. At a high zoom artifacts can be noticeable in some images. I believe this is due to not using a tripod. The auto-alignment works very well provided you hold still and use proper hand holding technique. Can’t hurt to lean on something at the same time to increase stability either. Will be doing more and more tests with this. Now many may ask if HDR always has this look? Nope it sure doesn’t. It is a highly selective movement of many, many sliders (don’t let that scare you.) I personally like bringing in that black point as I find the more photographic looking HDR image just looks awfully strange. Of course this all changes as we meet and greet new subjects in our photography. Has any of this inspired you to try it? Awesome. There is actually a free fully functional tutorial here. Have fun!

On a side note I have some time in the coming week to make a quick side trip. We’re thinking anything within driving range of 6-8hrs in any direction from NYC. Anyone have any suggestions? We were thinking Cape Cod, but it might be a tad early for the humpbacks, and Maine sounds awesome, but I’d hate to rush it. Feel free to drop a line!

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