With a recent photography tour being offered of the Fresh Kills Landfill I signed up immediately to take the tour. I have gone on the public tour and had a lot of fun (see here), but I wanted new angles and more time with part of the site. The former landfill (at once one of the worlds biggest) is being converted into a city park. A park 3x larger then central park.

My approach this time had to be different. I saw many similar things as well as new and different angles. My lens of choice was the Sigma 150mm macro (although a wide-angle did play a role.) Not really for close ups, but for the compression of a scene. Bringing this methane collector sites closer to other parts of the location; visibly. There is at least a mile or so between that pipe and the flareup station in the distance.

I tried to capture the field of vents you see along your travels through the park. If I went wide instead of with a telephoto those methane collectors would be so tiny you could barely make them out.

These collector sites are all around the area. They are designed to collect the methane and pump it to a collecting facility. The gas collected actually powers 2,200 homes in Staten Island, NY.

Since my last visit construction is much more visible. They are already working on facilities and recreation for the public to get them out to Fresh Kill and start taking advantage of its potential.

You can see the controversy that has surrounded the dump.  Now if you look at the location you would never recognize it. It looks as if Fresh Kills was part of the landscape. Development near Fresh Kills was continued even when the landfill was in use. On one side you find the heavily trafficked Richmond Ave. and on the other side neighborhoods. Evergreens along Richmond ave. keep most of it out of view.

Taking you out of the element of a landfill was also part of my photography agenda. I laid down and shot upwards to get this shot. It was not comfortable and very wet. All part of the fun.

As the clouds moved in photography got tough. When ever things get cloudy I really like to move toward shooting HDR (High Dynamic Range) images.

The capping process can be seen here. They are laying the earth layer over the plastic barrier. Reminds me of agriculture.

The day ended with an outlook over the William T. Davis Refuge. Unfortunately the cloud cover became so heavy that the sunset wasn’t an option. However that wasn’t going to stop me from doing something. So I decided to shoot a quick double layered panorama. I can’t wait to see vistas like these when the public fully gains access.

One of the best parts to me is that they are striving to make the area as natural as possible and more importantly include corridors for passing wildlife. It will be done by patches of uninterrupted forest. I can’t wait to witness it. All too often parks are strictly within their boundaries, but we need to realize wildlife knows no boundaries and we should create corridors and buffer zones to better accommodate our natural friends.


My second day out and still shooting the sunrise? Damn straight I am! How can you pass up on something like that? The haze this day and last were just perfect for lighting up the sky. This special moment wasn’t for everyone either. Need to remember that a photograph is a moment in time. That may seem really obvious, but those hesitations or extra 5min of “I’ll get it to it” will cost you.

I don’t take symmetric images often unless it warrants it. I felt this one warranted it. I had to shift myself left and right to find the right angle (perspective), but I finally got it. It’s gotta look funny to any other beach walker as this guy with his tripod and camera saunters…well I don’t know about saunters. Lets just say walks across the beach horizontally looking at the sun.  All worth it. The topper? That kiss of sunlight hitting the water to give you a sense of place. The key to getting great color in these images is a black point making sure my blacks are utter black and shooting in shady white balance. That’s it!

They’re back! The great egrets are making their way back this spring and it just makes me so happy. They’re one of my favorite birds to photograph and I like to spend a lot of time with them. They are also a heck of a lot easier to fill your viewfinder with then a songbird! When I took this shot I just thought, fine art.


Me and my friend Seth found this ginormous snapping turtle out at Conference House Park on the south end of Staten Island as we were birding. Unfortunately he was looking for new territory and ran into a man made wall. He will have to find his way around the long way.


I was going to choose between these two images of the snapping turtles, but it was just too difficult.

It’s been a while since I was able to get out the door and finally take some photographs. Technique is all well and good, but you need fresh material. So to get back into the spirit I decided to rise with the sun. With all the haze this past morning the sun was like a fireball. It was exhilarating  to witness. Just blinding to photograph. I recommend taking these images quickly, not pointing your lens at it constantly and quit staring at it! If not you may just damage your sight and that just isn’t worth it…right?!

Unfortunately I was only able to start a few days before spring. Many species are still making their way up north so selection was narrow, but I wasn’t going to let that stop me. There were around 500 brant wandering the shore at Gateway National Recreation Area and I wanted to capture them in this perfect light. One problem? They didn’t seem to want me there. I walked closer and they walked farther. So composition was my only friend. One problem? the extra wing from his pal behind him.

Our friend the American robin is starting to gain his breeding plumage. One of the best reasons to get out there and start taking photographs! He was probing the area at Mount Loreto Unique Area before the field starts erupting with foliage.

Now I am not a fan of messy backgrounds. And I probably wouldn’t use this as an image for sale or publication, but it can help us get some insight. Using the ability to blur lots of foreground with your telephoto lens I fell you can tell a story despite the mess. Combine that with the right light only on your subject and the eye tends to not notice the distractions. Now this isn’t an image that will ever win a prize, but it’s something we can learn from. Isn’t that one of the greatest advantages in digital. To easily see and learn from our mistakes?

Do they pass inspection?

A native and highly threatened species here on Staten Island is known as the box turtle. He is being pushed out by many releasing an invasive pet species called red-eared sliders into local ponds and woods.  Mr.T as this one is known was a fantastic subject that made me work for a good image. The trick to getting the colors to shine? Nope not photoshop, nah not capture nx2, not even some magic plugin. What was it? Water from a simple spray bottle helped to saturate those colors and give some punch to his often dry/pale looking shell.

Until next time me and Mr. T bid you adieu.

So you’ve shot an image sequence of your favorite scene, but you don’t know the best way to compile it. Well the common way seems to be using QuickTime Pro. I have tried it and I’m not a fan. It just doesn’t come out the way I like it and it isn’t as straight forward. So I found a great solution that already existed on my PC. Its a great program I use for startrails and it is called “Startrails”. You can get it here. It’s a free program that does startrail compilations (as you can already tell), but it also can turn sequences into a video. I put a short video together about how to go about it here: (working on fixing this videos visuals, sorry)

and the resulting product here:

Enjoy :-)

We had to head to the American Museum of Natural History in Manhattan, NY for some info gathering and I decided to bring my camera along of course. This happens to be one of my favorite museums. It is so large and full of incredible information you cannot do the whole place in one day. Plus every time you come back there are always new exhibits and information to fill your brain with!

We were greeted at one of the more popular entrances by former President and NY Governor Theodore Roosevelt. His presence is a powerful one. He stood for great things and believed strongly that the lands we inherited, must be preserved for future generations. He also felt that as strong as our development was our conservation would have to match.
To give this image the antique feel I ran it though Nik Silver eFex pro using the ‘antique plate I’ filter. I cranked up the structure and contrast and presto.

The exibits are a true work of art. The more amazing thing is that they must also know their biology! These exhibits have to be so incredibly authentic that they will follow each detail down to an absolute hair. Not to mention the landscapes they are painted in make you feel you are truly there and the scale is just fantastic.

Dina was doing her research on great evolutionary developments that help us to better understand our taxonomic, ancestral history. This column represented the evolutionary development of the femur. It may have created more awkward swimmers, but it was one of the keys for our ascent on to land.

This blue whale is and was the largest living creature on our planet. Reaching a maximum of 100ft+. These incredible and severely endangered species roam our noisy oceans in search of a mate and to travel in peace. A fake (assumed full size) blue whale roams the Milstein Hall of Ocean Life. My favorite exhibit next to the Hall of Biodiversity. The one problem with trying to take photographs in a museum? LOW LIGHT. The light is so atrocious that ISO 800 only pulls 1/25 a second of light. The key besides watching the reflections is stabilizing yourself. Their are normally guard rails all around the museum. I would set the camera down (wrapping the strap around my wrist) and lean the camera into the rail. Slowly pressing the shutter and keeping my finger there as several shots fired off. How did I compose? I used the build in Live-View mode. One of the few times I ever seem to use it.

As for white balance I make sure to shoot RAW because who knows what lighting types are all around the museum. The last part about the image is that this consists of two exposures. One normal meter reading and the other underexposed for the brighter exhibits. Despite the enormity of the whale and its demand for attention the lighting on it was quite poor.

Many go to museums and might leave the camera at home or if they bring it will fire the flash in hopes of getting a decent photo. But we both know what happens when we see a visitor fire the flash at a glass enclosed exhibit. Next time you go out (go soon!) to a museum near you work with the ambient light. Not like the exhibits are going anywhere ;-)

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