Feb 232009

If it is something we tend to not always get all the time it’s practice.  Whether it’s a nine to five job getting in the way, just having a full schedule, or not having the time to get out and travel as far as you want to where you want to be (I know the feeling.) One way is to find a subject you or others would find common and mundane and work as hard as you can to make them interesting. I can guarantee you those common day, often seen, animals are just begging for someone to show them how they truly shine and matter to their ecosystem.

One common place to start is Gulls if you are coastal or even semi-coastal, or the most common of pretty much all waterfowl the mallard. With the right combination of early morning 3-stop light and a mostly blue sky everything will fall into place. Being in the lighting situation I described, the scenario is to leave your camera in matrix metering (maybe down a 3rd or 7th of a stop if the contrast is strong) and fire away. Keep in mind background and trying to tell a story of what and where these animals live. These are great opportunities to get you into photographic shape for when that rare moment happens.

One way to do it is to bait the animal. Now I am talking the common spoiled animals that are constantly fed (although I shouldn’t; it was and is a conflict of interest for me) such as gulls and common waterfowl. I’m not telling you to go bait a bird of prey or any other gull/animal that depends on its normal feeding habits to live day to day. Feeders is one route via use of perches or the use of bread and unbuttered popcorn (butter is extra calories and if we don’t need it you can sure can bet they don’t either.) Rice for any bird or small animal is a big no no! Rice will swell in their stomachs and lead to death, not your ideal subject or in the best interest of the animal.

You don’t always need to go buy fresh materials, I would even recommend you don’t. Ever have left over bread ends or bagels that were saved for a tad to long (avoid the moldy stuff)? Popcorn is also great because it swells to approximately 40-50 times its original size and you get a great bang for your buck ::insert your favorite popcorn advertisement and music jingle here::. If you have a friend to go out with or a guilted spouse the process can be a bit easier. Have them stand slightly away from you and out of range of your angle of view your going to be working in, but not below the gulls if you catch my drift ;-) . You have them crumble the bread into smaller sizes and toss the pieces you have away and out from you. Keep in mind your background so when your shooting you don’t have distractions or worse a black bird from behind a white sky. Now if your by yourself it is a bit tougher, but completely do-able. Start slow. A few pieces just to attract them. Their interest will be peaked and they will swarm near the food. By throwing the food in small intervals you will keep them centrally located and give yourself time to shoot. Patience will be a tad more useful here and will pay off in the end.

The best thing I have found about going back and looking at my images is the different way we visually perceive gulls and birds in flight. That with one shift of a primary, catch of a thermal, or gust of the wind yields a new perspective that might not have occurred to you before. You can really see similarities in birds that are more characteristic of other bird families flight patterns. With all that said…get out and shoot!

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The combination of those wispy clouds on a beautiful blue day really adds to the image. A bland all blue background sometimes just doesn’t allow the viewer to put themselves there.

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Don’t forget about verticals. This is definitely harder, but with practice becomes easier. It is all about timing and keeping a close eye on their behavior. This way you can predict when they are coming in for their maneuvers you need to snag the shot.

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This is an example of what I meant by background. The Bayonne bridge was in the background and gives you an idea of what to watch out for. Some might like this and others it may big a big turn off. So don’t be eager to toss those images so fast. …and I know what your thinking. That that dust he forgot to take care of before going out? No sir, that is a bird blurred via the bokeh of the lens. I wanted to leave these images with little to know editing besides a black point set.

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This is a photograph with my new poster layout and a different bird for good measure. With use of Moose’s video seen here (heck of a lot easier then trying to figure it out when I came back from base camp.) They are a tad smaller, but I feel it will bring a better display of the images to share with you all. Although I find the iridescent head eye catching, watching that hind end knocking it down an extra third of a stop might have brought down the intensity. What do you think? Is it steering the viewers eye in the wrong direction?

So keep on trying. With practice, a little effort, and making use of your photographic mistakes to grow and learn; you can create images that will inspire. Stay tuned for big news in the coming days :-)

I thought some of you might be curious as to the process taken when editing the images in Nikon Capture NX2. Through the use and grouping of control points the effect can be evenly applied and uniformly controlled.

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You can see the points on the image split into linear sections along the rainbow. I wanted to have the ability to have three different control sections due to different varying choices in color saturation. Using the point selected above we can see the individual options for adjustment. From top to bottom (of the four options) we have: the amount of effected area , brightness, contrast, and saturation. Not all have to be used. It all depends on your motive. As you can see here the lowest slider was dragged much further to the right to help increase the lesser shades of violet, blue, and indigo. Once you have the settings you want to carry in a series of points you hold the ‘ctrl’ or command key and hit the letter ‘D’ to duplicate the point. All the similar control points get grouped as you can see on the right and will be more clear in the snapshot below.

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A really cool feature of Nikon Capture NX2 is being able to see the exact impact of your actions with a selection option called “Show Selection.” Pretty to the point. What it does as seen above is convert the entire image to a scale of b&w showing only the effected areas by your adjustments. This is a great way to know exactly what is effected without trying to figure out if the saturation has hit a certain area and also it’s intensity. The color image this was done with is seen below. I used a different image for the two screenshots for some odd reason. Another advantage to the grouping can be seen by the menu on the right. You can effect them all at once; rather then individually tweaking each individual point within the group.

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Nikon Capture NX2 handles the conversion of their raw files on the premature end better (I feel) then dumping them straight into photoshop. Through use of editing in Capture first and then through a 16-bit .tiff file for photoshop is a better and higher quality way to edit your images.

Feb 172009

We began early and headed up toward the Hudson in search of bald eagles. We didn’t know what to expect, just excited the drive had no traffic! As we arrived at our first local things weren’t looking very good. What was supposed to be a partly cloudy day had become engulfed in cloud cover. Typical it seems for being around here. To top it off the warmer days of the previous week have thawed the thick ice on the Hudson and with combination of the waves cleared it all out. Lack of ice flows makes it a bit harder to get closer to the eagles without finding them in the trees. Canvasing the three big areas locations in and around Croton park revealed a quiet and distant presence. Speaking to a local of the area revealed that the Croton Dam is a big spot for the eagles come evening time. Unfortunately the day was being capped for another affair.

Frustrated with the cloud cover and the teasing skies with minor peaks we took one last try. I was curious in our last two visits to the area what the lower park area of the dam looks like from below. Curiosity might have killed the cat, but satisfaction brought him back! Sometimes exploring just a bit more can open up a whole other perspective. As we made the short maybe quarter mile drive to Croton Gorge Park Dina yells out to stop the car. She points out the left window and there is a beautiful red shouldered hawk perched on a branch just watching us…well…like a hawk. The light magically broke through the clouds and lit the hawks striking plumage. Sitting in the car I just ripped as many frames trying to avoid the branches as best as possible. After about 100 frames or so he took off in search of his next meal. Continuing down the old beaten asphalt path and over the bridge displays the ferocious cascading falls of the lower spillway. You are able to walk up to the dam as it towers 300ft above you. To put the topping on the cake the parting clouds brought a rainbow that  just made for some incredible image making. Stuffing my pockets with my Sigma 150mm macro, Tamron 17-50mm wide angle and, and 10-20 ultra wide angle I opened up firing as many photos off as I could from as many different angles possible. Afraid the rainbow may disappear at a moments notice. I avoided polarizer’s as that removes the rainbow all together. Just when all hope felt lost persistence and holding on to patience paid off. (if you’d like to see more of the lenses and why I use them feel free to check the Gadgets & Tools tab above.)

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A redshouldered hawk taking note of our presence and watching his surroundings.

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A wide angle topical view of a portion of the spillway. All too often we try a wide angle photograph. Those are all well and good at times, but there is so much detail in the world. If we isolate all the variables not contributing to your subject and bring in what draws attention to it through simplification; it can increase the potency of an image. This image had a combination of black point and an upping of the contrast to make the elements of the image more distinct.

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This is taken with the Sigma 10-20mm to give a bigger picture to the situation. An example of some of the myriad of opportunities a single location can hold.

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An extreme close up made with the Sigma 150mm f/2.8. The bright sun provided more then enough light to freeze the action and prevent shake while being handheld.

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These images were adjusted using color saturation via control points and use of a black point to help cut the haze. I posted both these images to show the importance of foreground. When approaching a landscape of any sort (short or wide) the use of foreground can really tie an image together. This allows the viewer to scan the image in depth visually leaving a greater impact and a more meaningful photograph.

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Last, but not least I really wanted to make the rainbow the main subject here. By including small details giving the viewer a concept of what is going on. Concentrating on the rainbow and enhancing it’s color elevates the impact it brings then an extreme wide shot where the rainbowt then becomes an accent and not the subject of the photograph.

Keeping a tidy and efficient file tree of all your photographs can get complex and time consuming all too fast. I have been going back and updated my portfolio with some photographs of events I have photographed. They were all edited using a combination on Nikon Capture NX2, Photoshop CS4, Nik plugins Dfine and Color Efex Pro.

I have been working with a tool free from Microsoft that helps synchronize two folders or directories. You can have it delete, move, and add or just move and add. It is simple and straight forward. Warming up to it real fast. The tool is called Sync Toy 2.0 and was recommended to me from my good friend Gary C. way back when. Finally up and using it. Sync Toy will allow me to get all my editing done and then with a click of a button send them all to their respective back up folders of back up folders. For the price of free I’m Sold!

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You can see here in this screen shot what will unfold. After creating the action by picking your origin folder and destination folder you are presented with this screen. It lists the actions you have created on the left to avoid constant redoing of the action and for quick retrieval. Also it shows you your sync toy action type and what is going to be done to your folder pair. These options can still be edited after the sync so you don’t have to start all over (even though it doesn’t take much to redo.) You can even schedule this to be done on a regular basis by searching the help files. The help files will give you step by step instructions. I don’t like automatic things too much. One huge plus about this program is that anything deleted goes into the recycle bin and is not permanently erased. So any damage can be repaired. Phew!

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Here is a quick snapshot of the preview screen. You also get to see this with a status bar as it is performed. So no action goes unnoticed, hah. I highly recommend creating an A & B folder on your desktop and running a sample test. You wouldn’t want a massive headache playing clean up for several hours. Thankfully of which hasn’t happened yet! I’m watching you Murphy’s [law].

Feb 122009

All too tempting when we see the histogram blinking away at our blown highlights. Too often we jump to conclusions about a photograph with blown highlights. We more often then not feel it is ruined or will require photoshop to fix it. If there is one thing I regret about my bad habits when I first started out was the constant search for perfection and elimination of what didn”t fit the ‘standard’. Highlights can be hidden, they can be used to emphasize a scene, and many times they are just representing what is really meant to be seen; the color white.

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Sometimes you get all your gear ready and you’re looking at beautiful partly cloudy skies with opportunities for landscapes abound. Then as the day moves on the clouds settle in and the white between the trees can put a downer on the situation. It doesn’t have to be! When that overcast sky sets in think black & white. Not only that, but think texture. Ironic I know considering overcast will typically act as a huge softbox and remove shadows, but black & white can help to bring it back a tad. Black & white has had a reputation for being an amazing convoy for detail. The lack of color draws us to the dark blacks and brilliant whites. Drawing us deeper into the image using our mind to fill the gaps and explore. This photo was shot wondering the National seashore in Cape Cod. Light was fading and the clouds were there to stay so I started looking for big ticket texture items, particularly trees and dead wood.  Our opinions may differ on the image, but I think we can agree that it is a heck of a lot less painful to look at these highlights then the original photograph. This photograph was edited using the Nik Silver Efex Pro Plugin for photoshop.

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This is a favorite photo of mine. Minus the use of d-lighting in  Capture NX2 for the face this image was untouched other then a black point being set. Here I find is an example of the use of blown highlights to emphasize the photograph. The snow which we know as being white is brilliant and contrasts extremely well by encapsulating the male Bison. From following the foot steps above, to the sagebrush at the bottom left; it all leads back to our subject the Bison.

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This is an example of leaving blown highlights where they belong. There is a ferocity being captured as the glacier calves sending thundering waves verberating off the inlets mountainsides and sending a wave in our direction. There is enough detail captured to tell the viewer what is going on and that it doesn’t detract from the scene. Trying to play the bell curve histogram trick trying to pull the exposure within range will only dull the scene. It will remove contrast to the image and put you in front of the computer hoping to recreate what already unfolded once in front of the camera. The goal is to learn from our mistakes and even if you will be deleting a photograph ask yourself why and how you can avoid it. Although “pixels are free” as I have heard the great Joe McNally say, lets not let those stimulated pixels go to waste.

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This is one more example I wanted to bring to your attention. A lot of time I have heard from fellow photographers and amatuers a like talking about capturing feather details on a birds head. We may differ here, but I ask you in the case of all white birds do the blown highlights on his head detract from the image? As he comes in for a landing is the subject his bald (bald originally meaning white) head or is it of him coming in for a landing with his feathers spread. Also since our eye jumps to bright images we can also use highlights to direct the viewer where to devote their attention.

So with all these reasons not to hit that delete button give your images a second chance. Don’t be so quick to make what could be a mind changing image disappear forever. I know I learned my lesson.

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